AmDocs2017 Snapshot: Requiem For My Mother (USA, 57 min.)

Screening:

Tue., April 4, 6:30 pm, Camelot, PROGRAM 54

Composer Stephen Edwards mourns the loss of his mother.

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Jamie Redford to be Honored at American Documentary Film Festival

source: patch.com

PALM SPRINGS, CA – Jamie Redford, son of Robert Redford, will be honored at next week’s American Documentary Film Festival for a trio of films he’s directed examining social and environmental issues, all of which will be screened at the festival.

Redford will receive the “Seeing the Bigger Picture” award for “Watershed,” which focuses on conservation efforts regarding the Colorado River, “Toxic Hot Seat,” a look at unregulated toxic chemicals present in a number of products across the country and “Happening,” which examines the advent of clean energy.

Previous winners of the award include Oliver Stone, Peter Coyote, Harvey Weinstein, Peter Bogdanovich and Joe Berlinger.

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AmDocs2017 Snapshot: Notes On A Violin (USA, 10 min.)

 

Screening:

Tue., April 4, 11:00 am, Camelot PROGRAM 45

An exploration of the life of a violin-obsessed teacher, who wants to spread the “gospel” of classical music by teaching people he meets how to play the violin.

Ticketshttps://www.showclix.com/event/program-45—amdocs

 

AmDocs2017 Snapshot: Stronger Than Bullets (USA, 88 min.)

Screening:

Sun., April 2, 9:00 pm, Camelot PROGRAM 30

When filmmaker Matthew Millan traveled to Libya to document the bloody revolution to overthrow brutal tyrant Moammar Gaddafi, he was floored by what he discovered.

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North South doc alliance bolsters AmDocs 2017 lineup

source: realscreen.com

By Meagan Kashty

With 14 films from three international festivals on this year’s slate, the American Documentary Film Festival (AmDocs) promises to bear the fruits of an earlier partnership agreement.

AmDocs inked a deal last year with DokuFest (Republic of Kosovo), DocsDF (Mexico) and EDoc (Ecuador). Together, the four festivals form the North South Doc Network (NSDN) — an alliance designed to allow each of the festivals to share content and provide independent documentary filmmakers with greater access to worldwide audiences.

This year’s DokuFest submissions provide a powerful look at several very different issues relative to the countries and residents of the former Yugoslav state. One of the films, Depth Two, looks back to the atrocities of the Yugoslav wars, while another film, Tourism!, looks at the present-day impact of tourism along the Croatian coast.

A third film, a short called A Short Family Movie, introduces audiences to Marica, a woman who was convicted for assaulting her daughter-in-law with a knife and served two years and seven months in prison.

In Batusha’s House (pictured), audiences meet Batusha — a man who has been building a tremendous house in the outskirts of Prishtina in Kosovo for 15 years; without any plans, architects or building permits.

The offerings from DocsDF offer unique insights into pieces of the Mexican culture. Aurelia and Pedro tells a pastoral tale about life in the remote green highlands of the Wixáritari in Western Mexico, while Dotted Lines tells the stories of people who have disappeared without explanation, and the impact those disappearances have had on their families and loved ones.

Bath of Life, also from Docs DF, explores the inner life of a public bath in Mexico City, and The Underground Traveler, takes viewers deep into the metro in Mexico City, which carries an average of 3.9 million passengers per day.

EDoc returns to AmDocs this year with five films. Dream Town follows a young soccer player in Ecuador over the span of six years while The New Man follows Stephania, a trans woman living in Uruguay, as she returns to Nicaragua, and to the town where she lived as a little boy.

Another film, Impression of a War, examines the impact of living in Columbia, which has been plagued by armed conflict for over seventy years. On the other side of the spectrum is Territory, a stunning travelogue of Ecuador that was inspired by the travel journals of Henri Michaux, a Belgian avant-garde poet who traveled to Ecuador in 1926.

Finally, EDoc offers up The Flight – an intimate dialogue between mother and child, where love mediates the passage between the infinite world of desire and fantasy and the finite world of fear and rationality.

Several NSDN filmmakers are attending AmDocs this year, allowing audiences to further explore the subjects covered in their films. “We try to bring as many filmmakers to the festival as we can,” said Debbi Hinton, director of operations, in a statement. “Having them in attendance adds so much to the overall experience of the film screenings.”

The American Documentary Film Festival takes place March 31 to April 5 in Palm Springs, CA.

AmDocs2017 Snapshot: Kanu Belong Keram (SWITZERLAND, 16 min.)

Screening:

Tue., April 4, 2:30 pm, Camelot PROGRAM 50

The building of a canoe can be seen as an example of the importance and greatness of community work.

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AmDocs 2017 Snapshot: The Surrounding Game (USA, 98 min.)

Screening:

Mon., April 3, 4:00 pm, Camelot (AmDocs Film Fund Winner!) PROGRAM 38

In East Asia, the game of Go is hailed as one of mankind’s great cultural treasures. For millennia, masters and disciples have passed the game down as a window to the human mind.

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AmDocs2017 Snapshot: Hello Cuba (USA, 20 min.)

Screening:

Mon., April 3, 12:00 pm, Camelot

After more than 50 years of economic embargo and isolation, little is known of the everyday lives of Cubans living only 90 miles away from U.S. shores.

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AmDocs2017 Snapshot: Make Them Believe (RUSSIA, 14 min.)

Screening:

Mon., April 3, 4:30 pm, Camelot

A Russian wrestler enchanted by the United States plays the ultimate villain as the stars and stripes-clad character “American Hope” in Moscow’s underground wrestling ring.

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AmDocs2017 Snapshot: The Poacher (UK,12 min.)

 

Screening:

Sun., April 2, 11:30 am, Camelot

John collects wild produce that has recently become in demand through the gentrification of East London and the influx of trendy restaurants.

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